The exemplification of time as an element
is represented in a paradoxical circumstance – for time is hurried and yet
restricts its pace concurrently. Through the poet’s insanity, time has
developed into that which is but a mere non-existent concept– time has been
shed of its original purpose, which was once to regulate her life. Time has
been distorted through the speaker’s enjoyment in death – it no longer follows
the conventional understanding of time that we comprehend; en route to her
grave, time rushes beyond what she is accustomed to in life and she finally
immerses herself in indulgence – her last day of life is too slow which is all
too ironic. Reflecting on carriage journey – cannot define time, non specific,
after death , time stops, describes abstract beyond our recognition – mankind
does not experience such courses of events and thus time loses its association
with the speaker as life has become the past. Death is a deliverance to her,
when alive – time slaughters her diminishing soul, time reluctant to pass –
when death finally stops, time freezes – parallel world whereby emotions do not
reign her existence.
SYMBOLS
Throughout journey – many symbols emerge –,
immortality, ‘recess’ ‘slowly drove’ ‘no haste’ – though time does not exist
however the speaker’s mentality has lingered amongst the living cosmos - time
reminds us of our being, her heart still holds aspirations in the world.
‘He knew no haste’ – death cannot feel this
need to attain her demise
Being alive was a form of suffering, reminisce
past of work ‘grain’ ‘setting sun’ , once felt that such events were
painstaking however the carriage journey provokes an abrupt acknowledgement
that the course of these events could be reviewed as but a brief cloud of smoke
that approaches and then dissipates into nothing.
‘feels shorter than a day’ – reiterates
that her enjoyment outweighs the suffering she once felt
Dickinson: ‘forever is composed of nows’ –
from the poet’s perspective – being alive is not life or death, after death,
time itself suspends, no tension pulling her existence into a dark void, she is
only the souls that remains – that which
is the eternity she yearns for.
In ‘After great pain, a formal feeling
comes’ – ‘yesterday – or centuries before’ – juxtaposed due to their likeness,
no difference ; lost sense of time, not sure when Christ died – ‘feels like one
day’ – no sense of reason or judgement
‘first chill then stuper then the letting
go’ imagery of hypothermia = freezing to death, speaker wants this death – ‘I
could not stop for death’ – time frozen
wants to freeze to death – but why want
death – because time is death – and once dead – time has frozen and thus freeze
to death
she desires death that which is insinuated
by the freezing of hypothermia – death is what she wishes to attain and time
embodies death, in death, she thus reaches her desired numb senses through the
suspension of time/death
STRUCTURE
Iambic tetrameter and trimeter – mirrors
the rhythm of their movement, also shows the extension of time, speaker is
semi-conscious of the fact that time has
ceased to exist and thereby chooses to
continue the illusion of time being present still.
Solidity of rhyme – pararhyme such as ‘me’
‘immortality’ – ‘away’ ‘civility’ , demonstrates her calm state, harmonious atmosphere,
or solidity is what she seeks – invariably soothes her inner chaos
When reflecting upon childhood and ‘grain’
– never indulged in such supposedly inevitable stages in life – all of a
sudden, aware of the fact that she lived a meaningless life - lost control in
speech, even rhyming patter thus disrupted and no rhyme at all… ‘rain’ ‘sun’ , After
there is solid rhyme ‘chill’ ‘tulle” ‘ground’ ‘mound’ – bipolar, fluctuating
emotions.
Never experienced things of merriment that
institute the evidence of one’s existence – lapse of time is this gap in her
life
‘a narrow fellow in the grass’ When looking
for safety and control, rhyming represents her attempt to overcome her emotions
‘corn’ ‘morn’ ‘sun’ ‘gone’ – in times of anxiety and fear, we witness the
surfacing of instability in her rhyme – it collapses and disintegrates into
nothing. ‘rides’ ‘is’ and shivers with
‘zero at the bone’
Atmosphere is tranquil in nature –
observing the snake but ‘whip lash’ ‘tighter breathing’ – although no specific
time phrases used ‘stooping’ ‘gone’ the impulsive strain and tension of the
moment stimulated by the snake is demonstrated
OTHER
Anaphora – ‘we passed’; the repetition of
the past tense here, reiterates that the speaker does not have the capacity to
recapture these moments/ life experiences. Her anxious tone in speech realizes
that she is able to list her life’s regrets with ease and their vast number,
they pass by one after the other. Time can be equated to death in the respect
that the speaker may never control it to appease her desires.
Personified death as a ‘gentleman’ – time
is an abstract form of death, induces pain, time slaughters her in life and in
death, death has become the cessation of time and time has subsequently
transformed into gentlemen – she is under the shield of eternity – immortal,
perpetual
‘My life had stood a loaded gun’ – in
contrast to the personification of death, she dehumanizes herself to become a
gun… ‘for I have but the power to kill but without the power to die’ -
entrapped in her own world and inability to escape forever in some ways are
also means of perpetual torment in the deprivation of emotions.