‘I
heard a Fly buzz – when I died’
Useful Link: http://academic.brooklyn.cuny.edu/english/melani/cs6/fly.html
Useful Link: http://academic.brooklyn.cuny.edu/english/melani/cs6/fly.html
Terror /
Death / Entrapment / Hope and Hopelessness / Afterlife / Isolation
Introduction
-
(Terror)
‘Corridors‘ in ‘The brain’ in One need
not be a Chamber – to be Haunted - conveys the horror inside a person – the
hidden and scary places in a mind are more dangerous than ‘external ghosts’
-
(Entrapment)
The last night that she lived where she expresses the pain of being trapped in
the world that is ‘awful’ to her. She sees being ‘dead’ as
a way to escape from the pain
-
‘Despair’ in It was not death, for I stood up that shows the image
of her drifting away from hope
-
‘The
Fellow’ as a phallic symbol of
danger in A narrow Fellow in the Grass
Central Symbol
-
‘Fly’ is a common symbol for corruption or a demonic presence
(like Beelzebub, Lord of the Flies)
-
The
speaker juxtaposes two disparate elements
o
The
trivial occurrence of hearing the ‘fly’
o
Death,
an important of a person’s life: ‘when I died’
-
The fly
appears in her death, as a negative figure
-
It ‘interposes’ the silence in the scene: This creates a sense
of bathos as the ‘buzz’
of a fly distracts the dying figure.
-
It is
perhaps that the fly becomes the central figure of the poem – much of the final
stanza is dominated by the fly. Rather
than the rituals of death, attention is focused on the fly.
-
Dickinson’s
use of symbolism foregrounds the power of the fly and immediately foreshadows
the doom in the poem – The Fly comes between ‘light’ and
the speaker
-
It is
possible that the light represents eternal life: The speaker who hopes to
escape from the sufferings in her current life is blocked by the Fly in her
final reach to the ‘King’ (reference to Christ of
God)
-
This
conveys the pain in entrapment: The speaker is trapped by the ‘buzz’ of a Fly, only a
trivial problem
-
This is
further emphasized in the final line where she ‘could not see to
see’.
-
As
physical sight recedes the speaker could be suggesting a failure of perception
– the inability to see through to the glory of the next life
-
Hopeless
-> cant go to heaven / trapped in present life
It was not death, for I stood up where she depicts the nearing of the end ‘when everything that ticked has stopped’ with the metaphor of ‘grisly frosts’. She is afraid of the ending where she will be
drifted away in a boat ‘without’ a ‘report of land’
Techniques
-
The
poem is a typical hymn metre with pararhyme on lines 2 and 4 until the final
stanza
-
The use
of hymn structure perhaps alludes the poem to the criticism of religion
-
The
speaker’s message to the ‘King’ who failed to
save her from pain, the ‘storm’
-
The
speaker conveys incompletely due to the fact that she is trapped between her
life and heaven. This idea is enhanced
by the use of pararhymes like ‘Room’ and ‘Storm’. This
indicates the fear inside her to forbids her to construct normally.
-
She is
broken and damage inside and this is clearly reflected in her rhyme
scheme. We see her attempt to search for
order in her stable quatrains; however, she has failed to do so as the constant
use of parahyme still reflects chaos and distress.
-
Yet, after
constant half rhyme, a full rhyme of ‘me’ and ‘see’ is found in the last stanza, providing a strong sense
of conclusion. Has she found a solution?
Perhaps not, the speaker suggests that ‘the Windows failed’
and she ‘could not see to see –‘. This maybe the implication of the speaker’s
surrender. We sense no hope in the final
line of the poem.
Similar to What
mystery pervades a well, a pararhyme of ‘glass’
and ‘face’ suggests Dickinson’s fear
of the ‘abyss’s face’ and the
invisible entrapment of the ‘lid’
Others: the idea of unfamiliarity
-
Only ‘eyes around’, not relatives, nor friends
-
This
suggests her lack of connection towards her current life – she is isolated
-
This
might emphasise her fears as she intensifies her want of a better life after
her current one which she does not have any connection to
-
She
implikes that the ‘eyes’ have ‘wrung dry’
when she died, conveying that she has no more emotion to the people around
her.
-
This
idea is furthermore elaborated as she ‘[wills]’ her ‘keepsakes’ and claims them as ‘patrons’
of her, displaying her confused state of mine due to her fear – she oddly
weights objects over human beings.
-
This
sense of unfamiliarity there shows her difficulty to survive in a world by
herself with no one to depend on but her ‘keepsakes’.
Likewise, in Because I could not
stop for Death where she has more attachment towards the figure of ‘Death’ than the people, the ‘children’, the fields of grazing grain’ and the ‘setting sun’ in the world.
This conveys her sense of unfamiliarity.
She suggests that ‘the day’,
her last day of life is fearful and ‘centuries’
in her grave ‘fears shorter than the day’.
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